read by the author
I am not a fan of Sonic Youth. Yes, I admit it: I was in my 20s during the 1990s and yet, although I understand their appeal and I quite like a few of their songs, for the most part I have no particular liking for them. Dissonance has it place, but doesn’t generally do anything for me. On top of that, I’m easily startled by sudden loud or jangly noises. So you can see why they’re not my favorite performers. I do like Kim’s spooky, haunting moan of a voice—what’s not to like?—and those songs of theirs that highlight it and are more melodic. But yeah, I know, faint praise.
My main memory of having gone to see them in concert (I think it was at the Masonic?) sometime around 1992 or ‘93 was of not recognizing any of their songs and being bored. Oh, and their “opening band” was Ciccone Youth, which was an experimental band composed of… the members of Sonic Youth. The friends I attended with thought this was clever and witty of them. I’ll take their word for it.
Fast forward to 2018. Kim Gordon has published her memoir (in 2015), which I’ve bought for my partner; he has read it and enjoyed it very much. But then, he’s a fan of the band; I had no desire to read it myself. Then in early 2018 I learned that Kim Gordon and Chris Kraus (the author of I Love Dick, the book upon which the sadly short-lived TV series was based) were going to be interviewed together at City Arts and Lectures. This was obviously a perfect birthday present for my partner, so I bought the tickets and we went.
And I learned that Kim Gordon is affectless and somewhat inarticulate, especially as compared to Chris Kraus. She also came across as somewhat self-absorbed and self-important. So, okay. Not impressed.
Why did I finally decide to read the book? I think it came down to having attempted and failed to read three fiction books in a row—I didn’t even get through the first chapter of two of them. Having failed to get through a vampire novel and two different sorts of speculative fiction, I decided I needed something based in the real world. Not even realistic fiction, but nonfiction. And I came across Girl in a Band on my Libby app and basically thought, well, what have I got to lose? So I started it.
Right away I was struck, as I had been during the interview, by her affectless, flat voice. But as she talked about her childhood in Southern California and her relationship with her more-than-difficult brother, I began to understand why she talked that way. I won’t spoil it, but there’s a reason for it. She opens up in this book as she takes you on a journey through her life, and although I still find her self-important, I also see her as strong-willed, creative, independent, and admirable. The kind of self-important she is is the kind she needs to be, as a person and as an artist, and I’m no longer put off by it.
I do wish she had gone into more detail about the earlier, better days of her relationship with Thurston Moore, but I can see why that would have been painful for her. And the audiobook version really missed an opportunity—there’s a long section where Gordon talks about a number of different songs and her memories relating to them, and it would have been great, especially for someone like me who isn’t especially familiar with the band’s oeuvre, to have heard the song in conjunction with the narration.
But overall, the book is well-written in a quirky, somewhat choppy way, and I’m glad I got to know her just a bit. Verdict: if you like memoirs or are a fan of the band, read it. You'll discover a person worth knowing about.
I'm still not a fan of the band, though.
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