Friday, December 20, 2019

Beggars in Spain by Nancy Kress


read by Cassandra Campbell


Beggars in Spain is Methuselah’s Children for the new millennium. 

If you don’t know what I mean by that, I forgive you. But also, I will have to ask you to bear with me while I try to explain myself. It’s a very specific reference, but also huge and dense with information that you kind of had to be there for (“Darmok and Jalad at Tanagra,” anyone?). I’ll do my best, though. Here goes:

Methuselah’s Children is a Heinlein novel, one of his most sweeping and important. It is, of course, a massively ripping yarn. But moreover, it establishes two of the three major themes that characterize his body of work throughout his career and it sets the stage for his Future History stories. It tells us how the Howard Families got their start, and what effect that start, and the very existence of the Howards, had on the course of human history.

The short version: a wealthy man named Ira Howard has a genetic disorder that causes him to die of old age in his forties. Before he dies he decides, as his legacy, to increase human longevity. So he sets up a foundation that financially encourages folks with long-lived grandparents to have kids with each other. 

Within just a few generations, this scheme succeeds so wildly that the Howard Families, as they become known, live much longer than the folks around them. They start having to go on the lam, witness-protection-plan-style, because they don’t age like other folks and they don’t want to arouse envy or suspicion. They worry about the possibility of discrimination and even violence if ordinary people become aware of their advantages.

Eventually they do get outed, of course. And of course it turns out they were right to worry. Folks at large want to know what the “secret” to their longevity is and refuse to believe that there isn’t one, beyond good genes. The Howards race against time (and overreaching government) and manage a seat-of-their pants escape from Earth in a spaceship, and proceed to Have Adventures and Learn Lessons. 

A few years later they return to Earth—but due to Einsteinian time dilation, it’s been much longer than that back home. And the folks here, having been “cheated” of the “secret” to longevity, have had no recourse but to find it on their own—which they do, in the form of numerous therapies. 

Throw in a bunch of thinly-veiled (and sometimes buck nekkid) lectures on the benefits of eugenics and libertarianism, and you’ve got Methuselah’s Children in a nutshell.

Why is all of that so important? Well, to begin with, Heinlein wasn’t called “the dean of science fiction writers” for nothing. His writing career spanned five decades, during which he published 32 novels and 59 short stories in 16 collections (as well as numerous essays and a screenplay). His work has been adapted into numerous movies, TV series, and at least one board game, and his influence on other writers and on popular culture at large can’t be overstated. He invented the waldo, foresaw the Internet, coined the word “grok,” and gave comfort and encouragement to generations of free-love hippies and other sexual deviants.

And then there’s the Future History timeline. It’s just one of a sheaf of timelines in Heinlen’s World As Myth multiverse, but it’s the one nearly all of his early adult work is set in and, in my opinion, the vast majority of his most-important later work takes place there as well. (Sorry-not-sorry to any Heinlein scholars who disagree either about the timeline or the importance—and yes, there’s plenty of heartfelt and very vocal disagreement out there. That’s how important this guy’s work is.) 

Even outside of this timeline, Heinlein’s major themes of the excellence and longevity of humans being determined by eugenics and of the sacred importance of individual responsibility and the dignity of labor (slightly strange bedfellows when you think about it) are set up and thoroughly established here. The only major Heinleinian theme missing from this book is his rejection of contemporary sexual mores.

So then. We have a major work by a major author that lays out his major themes. How does it relate to Beggars in Spain, the book I’m actually reviewing here? Well:

Beggars begins in 2019 (which must have felt comfortably far in the future back in 1993 when it was written—or maybe 1991 or 1996, depending on how you count it) with a wealthy man strong-arming a geneticist into using a new and unproven genetic manipulation technique to give his as-yet-unconceived child the advantage of never having to sleep. He reasons that if his offspring doesn’t have to essentially waste 30% of its life being unconscious and therefore unproductive, that child will be able to accomplish 30% more than its peers. 

Why wouldn’t you buy that for your kid if you could, right? Lots of folks end up buying it for their kids. Thus begins the story of the Sleepless, a group of people who, in addition to the intended effect of never needing to sleep, also enjoy the side effects of an innately sunny disposition and—you guessed it—longevity. Plus whatever else their parents have paid to have them genetically predisposed toward, typically stuff like high intelligence and physical beauty. 

As these kids grow up, they become a group that is at once envied and reviled—discriminated against very openly, much like Jewish people in Europe in previous centuries, because they’re simultaneously seen as possessing unearned advantages and being not-quite-human. At the same time, the American economy is in a period of sunny prosperity, fueled by the invention of cold fusion technology called Y-energy by a man named Kenzo Yagai.  

Yagai is a fascinating figure, though we never spend any time with him in the book. His influence on the world isn’t limited to nearly-endless nearly-free energy and all that that implies. He’s also the founder and popularizer of a philosophy called Yagaiism, which emphasizes individual excellence and has its roots firmly in—you guessed it—libertarianism.

And so we have the two themes again, eugenics and (quasi-) libertarianism. But Kress doesn’t lecture us about them. Instead she explores them, in depth and with nuance. 

Through her characters’ eyes, we see the human effects of genetic manipulation combined with a philosophy that holds that the weak have no claim on the labor of the strong. We explore the meaning of community and the definition of humanity. We see all of this from the point of view of multiple sides and multiple generations. As a result, we ask ourselves interesting questions about them. Kress doesn’t shove the answers to these questions down our throats. But she gives us enough information to form some nuanced ideas, and start to ask questions of our own. Questions which apply to us here and now, in our current cultural, scientific, and political landscape.

Like the best literature, this is a book that can be read as lightly or deeply as you like. It can be enjoyed as an amusing walk through a plausible and interesting possible future, or an examination of what it does to a person to be “other than” or to be the one doing the “othering,” or the playing-out on a grand scale of a philosophical exercise. Whether you want to read for fun or to exercise your empathy or to sink your intellectual teeth into an intriguing idea, do read it.


Wednesday, December 18, 2019

The Goblin Emperor by Katherine Addison

read by Kyle McCarley


Maia is the exiled, motherless, abused, and neglected youngest son of the emperor of the Elflands. He’s also a half-goblin in a society where stone-cold racism is the norm. When his father and all of his older brothers are killed in an airship crash, suddenly *he’s* the emperor—a job he has no training or desire for. 

But he does have the desire to make a good job of it. And he gradually learns he’s got the disposition for it; his childhood, miserable and deliberately neglectful as it was, prepared him for the imperial throne in some unexpected ways. Still, learning whom to trust and how best to navigate the bewildering and seemingly constant intrigues of a hostile court is far from easy. 

And then it turns out that the disaster that killed his father was no accident—and whoever is responsible for it is still out there somewhere. Or maybe somewhere in his own palace. Maia knows in his head, and soon learns in his gut, that an emperor can’t truly have friends; and his relations are either distant, dead, or have so many agendas, secret or otherwise, that it would take someone as idiotic as his former guardian always told him he was to trust them.

He can’t act alone, though. There’s only one of him, and he doesn’t know enough to be effective. And the potential consequences of failure to unearth the perpetrators of this plot won’t just affect him; thousands of his subjects could suffer if he makes a wrong move. He needs reliable advice and confederates, not honeyed words from sycophants. He’ll have to trust someone. But who?

This is a truly charming coming-of-age tale/political thriller/murder mystery set in a delightfully detailed and creditably believable world somewhere between elfpunk and steampunk (elfsteam? Punkpunk?). The cultures, political system, and details like court fashions are all three-dimensional and fascinating. We follow Maia's point of view closely throughout, to a degree that’s almost old school by today’s standards. 

Mostly this works beautifully, because Maia is such a good sort and a sympathetic character on multiple levels. His ignorance of court life is nearly as deep as our own ignorance of the world it’s set in, which makes him a good stand-in for the reader, and his awkwardness and occasional spitefulness are believable and save him from seeming too good to be true (or too good to be palatable, anyhow). 

The only drawback to this following-super-closely-over-Maia’s-shoulder business, and it’s the only real flaw I see in the writing, is that the scope of the story is much broader than our narrow view of it. Lots of things that one might like and expect to see happening, one only hears about afterward, which can feel a little anticlimactic at times.

But that’s a quibble. This is a really engrossing story that I couldn’t make myself stay away from for any length of time. Highly recommend.


Game of Thrones

by George R.R. Martin Having been an avid fan of Game of Thrones on HBO, I’m finally getting around to reading the books. It’s super int...